The Renaissance Period

Neo-Renaissance is an artistic movement that started in Florence in the 15th century. Renaissance Revival architecture is a collection of 19th century architectural styles that were not Greek Revival or Gothic Revival but that rather drew on various other classical Italian styles. This includes Baroque, Classical, and Renaissance architectural styles. The most famous styles of this period are the Basilica di San Miniato al Monte and the Ponte Vecchio Fontana, the Duomo of Florence, the Medici Villa, and the Santa Croce Palace. Other styles that are important include the Ionian Style, the Roman Style and the Greek revival, Gothic revival and the Italianate.

The Neo-Renaissance architecture was criticized for focusing too much on the appearance rather than the actual function of buildings. Joseph Schumpeter pointed this out however, there was more to the architecture of the time than aesthetics. Neo-Renaissance art was a catalyst for awakening an ancient culture that was long lost to its practitioners. Through its designs people began to understand that beauty was not only visually appealing but that beauty was also discovered in the details, in the interplay between form and function.

In the Renaissance period, Florence became the capital of the European renaissance. It was here that many famous artists resided and worked including Michelangelo, Leonardo da Vinci, Titian, Gorgios Dejanos, Jan van Gogh, and Michel Boucher. It was also a major hub of politics during the time. Renaissance architecture has often been described as an attempt to bring together the aesthetics of the Greek and the Islamic worlds, in order to create an art form that combines both the West and the East. The result was a time of individualism, freethinking and appreciation for individual artistic talents.

Neoclassicism (also known as Romanticism) was a response against the excesses that were attributable to the French Revolution. This movement had its merits. After the French Revolution, the French had become overly concerned about their freedom of speech and their ability to criticize others. The French took to the streets and slammed the clergy, as well as destroying property. The French government took control over all universities, public buildings and the press and began to ban all artistic expression.

The main reason for this new movement was a desire for simplicity, a desire to return to an era prior to the chaos of the modern age had overwhelmed the Renaissance. This resulted in a rejection of the highly extravagant, egotistical and overstated architecture of the time. It was the simplicity that became the main focus of the Neoclassics, many of whom considered themselves radicals. The Neoclassics’ greatest attraction, after their rejection of the excesses of French architecture, was that they sought to design architecture that was that was based on natural materials and forms. Neoclassicism is now considered the most important art of the time.

The Neo-Renaissance art style was to eventually disappear from Western society however, it had created some of the most impressive works of architecture and artwork. Though the Neoclassics never completely disappeared however their influence on Western art can hardly be overlooked. Today, buildings, artwork furniture, clothing and furniture all bear traces of their influence.

Neo-Renaissance architecture bears the hallmarks of the Neoclassics. It is characterised by symmetry, rectitude and a sense for balance. Neoclassicism was also extremely attuned to nature, particularly the physical world. thai interior The Vitruvian Man is one of the most popular Neo-Renaissance sculptures. Vitruvius is considered to be the father of the modernist movement. His Vitruvian statue is located in the Temple of Vitruvius. It is an ancient Roman temple constructed of limestone, plaster, and marble that resembles large, life-size statues.

Neo-Renaissance art has been criticized by both classical and postmodernists for not having any real artistic merit. For example, Domenico Dolce, after reviewing many of the works of Vitruvius and other Roman artists, criticised their “stature”. He believed that the statues’ simplicity and profundity were in stark contrast to their stylized designs. Botticelli and other artists would refine the Neoclassicism movement to create new concepts like Futurism.

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